11/ Foals - Providence
Continuing on the dirty abrasive style of 'Inhaler', Foals showed the world their grittier and animalistic side, once again perforating typecasting in a third album that is completely distinct to their two previous efforts. Heavy, unadulterated and a song that is seemingly out of control by the end, Foals always manage to maintain a tightness to their sound, an important feat especially for Yannis Phillipakis's live antics. The soundtrack to your personal 'Helter Skelter', it's an apocalyptic track which beats you mercilessly and makes you ask for more.
10/ D. Ramirez & Cevin Fisher - Restless (Camelphat Remix)
Funky, cocky and just purely entertaining, it's not one of the most innovative or transcendent remixes ever made, but definitely one of the coolest. Camelphat has really taken a shine to the original lyrics, speaking of the restlessness one's feels when they hear the perfect song, he has managed to translate it perfectly. Deep house, techno or italo dance, whatever you want to call it, it doesn't matter, as long you understand it's core message and appreciate it's pure musicality, it's a song that anyone can enjoy. An ode to being a music fan, all it asks you to do is to listen and celebrate the music.
9/ Foals - Milk & Black Spiders
You've probably noticed but I'm quite biased towards Foals, and whilst I do try to be as objective as possible, as a fan I can't help but favour them over others. Unlike 'Providence', this is a side of Foals returning to 'Total Life Forever', emotional, ecstatic and slightly confusing, its wave after wave of reverberated guitars, layered over a string section with a rolling drum line. It's what Foals do best, building on a regular pattern until they reach a new heigh of sound that sends chills down your spine until you are simply transfixed even after the song is over.
8/ Tyler, The Creator - Rusty (feat. Domo Genesis, Earl Sweatshirt)
Wu-Tang Clan beats, menacing lyrics and inevitably incredible collaborations, it's not only one of Tyler's best efforts on his new album, but it's one of those where you know Domo and Earl saved up some of their best lyrics for. Lyrically, it seems to break down everything wrong in the contemporary music industry, societal attitudes towards his own person and his own troublesome relationship with his fans, who according to Tyler, ask too much of him. They played this live on David Letterman and it was definitely one of the show's musical highlights this year and a reminder to anyone who'd forgotten, that basically Odd Future are not to be fucked with. Interestingly, Earl's verse came before Tyler's and I think this was a strategically valid move as the latter's lyrics lose a sense of their intensity by not being the final utterances of the song. It also featured some of amazing entertaining back up dancing from Earl and Tyler by the way.
7/ Queenie - And Every
Back when Eton Messy actually showcased regularly good music, it was an exciting moment whenever they put out new music, but now those days are past (I'm going to an article at some point about this). One of the highlights however of this bygone era was Queenie's enthralling 'And Every'. It's pure tribalism, where man or woman helplessly loses control to this song and cannot prevent themselves from expressing themselves in the most animalistic of manners. It's a truly wondrous sight which on it's own is proof of Darwin's evolution theory. I know it's a cliche but words really can't describe the feeling one gets when hearing the drop, you just need to experience yourself.
6/ Peace - Follow Baby
My list last year included Peace's track '1998' which for me was the best song I heard all year. Last year alone, you could hear the vast potential they had in them and they failed to disappoint with their debut album, especially the scorcher track 'Follow Baby'. Nirvana-esque with a tinge of Stone Roses and their own personal touches, Peace wear their influences on their sleeves quite clearly yet they make each track their own. One of the only new bands that I feel have kept indie alive this year, they're a promising band that keep on giving and definitely one of those bands to not recycle their sound continuously whilst constantly showing new and more interesting facets to their style.
5/ Flume - Left Alone feat. Chet Faker
With the influence of remixes gradually taking more and more importance in today's music scene, it is often quite rare that an original is able to hold a strong face against potential remixes. 'Left Alone' is one of those tracks, in which Flume has been remixed this year alone by the likes of Ta-ku and Baauer. The original is an eargasmic rhythmic symphony, filled with resonant vocal harmonies and 80's synths, creating one of the most interesting collaborations between some of Australia's rising stars. Flume is riding high and will surely create an even bigger wave in the electronic scene next year.
4/ Tyler, The Creator - Ifhy feat. Pharrell
Tyler has always been an emotional guy yet is one of the people who doesn't like to admit it and even when he is, refutes it as just being 'emo'. In 'Ifhy' he demonstrates his fine ability in juxtaposing between gore and well, sensitivity. Admitting his love for a girl, he nevertheless reveals his potential violent side when she rejects him. Unlike his earlier more immature material, he has got a greater control over his lyrics and is not just schoolboy-ish love of gore for gore sake. It's the perfect answer to his concerns in 'Rusty' in which some fans want him to further this more malevolent force whilst others praise his more compassionate ego summed up perfectly with the chorus's 'I fucking hate you, but I love you'.
3/ Coasts - Oceans
I feel slightly hypocritical for previously saying there was a lack of good modern indie and then placing Coasts in third position but this is an exception. Not as heavy as many of their contemporaries, Coasts nevertheless attain a gargantuan level of intensity in their lead single 'Oceans'. A fitting title, it begins off in brooding manner before reaching its tempest-like climax in a suitably epic manner. An anthem for the modern generation, Coasts have written that feel-good unifying song that bands usually take years in the making. Despite it's music video looking like a mix between hipster paradise and a Topman advert, 'Oceans' is a grandiose effort for a band who've only released one EP. In a similar position to Peace last year, their debut album has a lot to promise and is a record that I'm positive will reinvigorate the indie scene.
2/ Foals - Moon
Once again I'd like to apologize for the amount of Foals in the top 10, but then again it wouldn't be at top 10 without Foals. Arguably their magnum opus is 'Spanish Sahara' and once a band release such an odyssey of a song, it's slightly difficult to follow up on. Yet somehow but still unsurprisingly so, Foals have managed it once again. The closing track on 'Holy Fire', 'Moon' is a tranquil but powerful excursion into human emotion, stripped down and to the bone expression of those thoughts that keep you awake at night. Ambient is not a suitable description, as it implies its sole purpose is chill-out music, but this is much more than that. A powerhouse of a song, its lyrical ambiguity combined with its sonic intensity create an almost undefinable relationship between listener and song. However, its most powerful quality is its transcendence and for a song to keep you motionless and quiet for its entirety is quite an accomplishment.
1/ Mount Kimbie - Made To Stray
It feels almost pointless writing a whole list of what you consider the best songs of the year when you reach the last one, because this one beat all of them so in a sense you could just say this is the best song without writing about any other ones. Additionally, if no agrees me with this choice then my whole list is also futile, but one a whole different angle. In any case, there are many reasons for this song to be considered the best of the year and my sidetracking will end now. From this song alone, it has lead me to explore Mount Kimbie's entire back catalogue and one track has never had that kind of influence on me before. A pulsating beat which morphs into a multitude of sounds, across a whole spectrum of heavily layered reverb to thin and brittle. It's a gradual buildup to clarity, with the song ridden with a smog like layer that doesn't clear up until near the end. Whilst they have sung in the past, the new album features a heavier presence of voices, giving the song a more personalized and human touch. I've seen Mount Kimbie twice this year, and the general atmosphere that changes when this song comes on is incredible. They were especially good at closing this year's Reading Festival, a suitable send-off reflecting the haziness that encompasses many of its memories. One of the most innovative and original groups out there at the moment, 'Made To Stray' epitomizes their phenomenal musicality and understanding of changing musical trends, in which they most likely be at the forefront for many years.
Friday, 27 December 2013
Sunday, 22 December 2013
Best Songs of 2013: 30-12
30/ Knife Party - LRAD
If I've ever been punched in the face by a song, it'd have to be 'LRAD'. This gargantuan mammoth of a song is one of the most impressive Electro House I've ever heard. What's so great about it is that there's never a dull moment, constantly shifting between progressions and movements before unleashing two monstrous drops. Look back at all the Electro House that came out this year, and in hindsight, I'm pretty sure most of it wouldn't be around without Knife Party (especially Martin Garrix's 'Animals'). Quintessential moshpit music, if you do feel like getting punched, than go to one of their gigs and experience it yourself.
29/ Dusky - Nobody Else
Another one from the pioneering deep house duo, much like 'LRAD' was a catalyst in the electro house world, so was 'Nobody Else' for deep house. It starts off on a fairly tame measure yet Dusky's mastery of sound becomes apparent, throwing in glimpses and cuts of noises from all directions whilst retaining a persistent and alluring bass line to keep it all together. It's not the most complex of songs, yet this is irrelevant. This song showcases their incredible production and songwriting skills, where it seems easy to play, yet no as much to write. This song furthered their dominance in their field, and set the mark for what was a great year for them and for the genre.
28/ Fatboy Slim - Praise You (Maribou State Remix)
Maribou State are a duo to look out for in 2014. Described as a 'downtempo Disclosure', it's chill out music that doesn't come with a meditation guide. Hazy and ethereal, it conflates misty sonic atmospheres with bassy and off-cut drums to create something truly unique. It is also miles away from Fatboy Slim's original mix, which I think is why it gives the song such drive, especially compared to most of their 'Truths' EP. A companion for your comedown, this song will surely give you enough life to make it home and enjoy the journey on the way.
27/ Disclosure - F For You (T.E.E.D Remix)
My respect for T.E.E.D is always growing. From his first 'Prehistory' EPs to the marvellous debut album 'Trouble', Orlando Higginbottom manages to take any style that's trending and make it his own. 'F For You' is no exception. Whilst many would argue this has been the year for Disclosure, T.E.E.D has been quietly but surely leaving his mark on the musical map this year. A driving bass, chiming synths and a self-assuredness that dominates his tracks, it's one of those songs where the buildup could last forever and you would still be revelling in its afterglow. My personal favourite remix of Disclosure in a year where everyone has been banging on about Flume and Baauer's efforts.
26/ Wavves - Demon To Lean On
When we think of Pop-Punk nowadays, we think of the haunted remains of Blink 182, Sum 41 and Green Day, the latter itself unwilling to move on the afterlife. Whilst publications such as Kerrang would disagree with me, I'm not one for taking their word (sorry). Nevertheless, Wavves has always been a band that I've appreciated, especially if I've been pissed about something or just feeling self-deprecating. An ok new album, this song really outshone the rest of it and I really feel they've grown up a bit, but without losing that immature side that made them so appealing in the first place. They have much potential as a band , they just need to reign in what their best qualities and concentrate it on one excellent album.
25/ Bonobo - Cirrus
I feel as though the contemporary state of Bonobo is what Maribou State have been trying to reach this year. Yet of course, this cannot happen over night. Bonobo is part of a group of producers/artists who over the years have evolved beautifully as musicians and with each record, get better and better (Four Tet and Flying Lotus were the other examples by the way). The first release from his latest album, it is a song that is delicate yet powerful, soft yet edged, moody yet transcendent. All of these descriptives are befitting and that's just the genius of his work, he can combine such opposing effects and sounds to create very interpretable listenings to his music, that make it a sonic journey not worth missing.
24/ Earl Sweatshirt - Whoa (feat. Tyler, The Creator)
Unsurprisingly so, the presence of Tyler on this song is felt within the first few lines. Opening with that oh so recognisable alarm clock, he's quick to tell us Earl has moved on, and not to expect a purely emotional record. It shows a need within all of Odd Future that the past is in the past, that they're not going back to it and it's time move on, whether their fans like it or not. In my opinion, Earl is the best lyricist in the collective, with intricate wordplay and linguistic craftsmanship, he's coming out of his shell and expressing a more confident and assured voice in a generation of rappers who seem to getting better and better.
23/ Pond - O Dharma
After their incredible 2012 album 'Beard Wives, Denim', Pond over night became one of my favourite bands, especially as they are composed of a number of Tame Impala members which made it even better. Their 2013 record was definitely something I was looking forward to most of the year and when it was finally released, it failed to disappoint. I could have chosen a number of songs from that album, but the one that really stood out was 'O Dharma'. It starts off with a acoustic Syd Barrett vibe and I admit that at first I was tempted to skip through this section but luckily I didn't, and it pays off. What you get is a psychedelic atmospheric cluster-fuck of sounds which seems to take your mind to another dimension. Think of Moby but on shrooms or a continuation of Beatles were trying to do with 'Tomorrow Never Knows'. It is a surprising turn in the song which shows how flexible and talented this band is, and perhaps more importantly, shows how they are not just a side-project to Tame Impala.
22/ Deerhunter - The Missing
The one song of the album written by Lockett Pundt, amongst the dirty and brash contributions of controversial leader Bradford Cox, feels as though its plucked directly from his Lotus Plaza project. Ringing and quietly resounding (if that makes sense), it's pure indie at its best and a nice change of tempo and mood in the album. This has always been my favourite side to Deerhunter who often seem solely represented by Cox, yet it shows that whilst Pundt's influence may be limited, it is nevertheless present, and once shown, it leads to stunning music.
21/ Rustie - Slasherr
Stabbing synths, a hyperactive beat and an intense colourfulness, from title alone 'Slasherr' does everything it sets out to. Slashing pre-conceptions of what defines a drop, throwing wave after wave of crystallised sound. It's a song that would accompany any sugar rush where it's playfulness seems to be unfitting for any high. What is so appealing about it that it's a song that could be played at both EDM and trap parties, a rare feat for a producer, especially in such conflicting groups.
20/ Pitto - You
There's always that one song that marks the beginning of summer. The one you can envision being played at the poolside when it's (sort of) socially acceptable to be getting drunk at 3 in the afternoon. This year it was 'You' by Pitto. Glimmering chords, charismatic vocal samples and a blue balling intro, it seems to represent that moment everyone is waiting for, until out of nowhere summer's here. It's a poppier side of house that many fail to achieve without being platitudinous about it yet moreover, it's a side of pop that I'd like to hear more often.
19/ Lxury - J.A.W.S.
Many similarities can be drawn between 'J.A.W.S' and the aforementioned song, yet there's a reason why it just beats it in this list. To put it simply, it's the coolest house (in its purest definition) I've heard this year. Despite it being a song you know Eton Messy would have a field day with, you can understand it. Bouncy, joyful and bordering on the euphoric, it's a song that brings a smile to my face every time I hear it. It's got a certain tribalism to it at the start which adds a certain mystique to the song and makes you rearing to hear the rest. Produced by Disclosure, you can definitely hear their influence in the record where it seems as though the duo have had a hand in some of the best releases the year, both directly and indirectly.
18/ The Child of Lov - Give Me
Funk is a lot like marmite (excuse me for the poor analogy), you either love it or hate it. I've always had a troubling relationship with it, yet Child of Lov's take on the genre has been one of the most innovative and interesting ones in years. Ballsy, effeminately badass and unusual, he's a singer-songwriter who as created a sound that is truly his own. Sadly, he passed away recently and you could feel as though this record was just the beginning of bigger and better things for him. Nonetheless, he lives on through his singular album and it is a great legacy to leave behind for the world.
17/ Chester Watson - Phantom
There were many songs you could chosen from Chester Watson debut mixtape 'Phantom' that demonstrate his incredible talent, but it's his eponymous single that says it all. He's a rapper similar to Mos Def and a producer in the vein of Flying Lotus, mixing freaky collaborations with MF Doom whilst retaining the soul of 90s hip-hop. An incredibly smooth flow with a sort of wiser than he should outlook reminiscent of Earl Sweatshirt. He is continuously releasing new music on his soundcloud page and most of it is free, and all as good as the last one. A new face in the rap world, who is surely to get even bigger, watch this space, as Chester Watson is a definite game changer.
16/ Ninetoes - Finder
I use to think the only artist who had a good understanding of steel drums was Jamie XX, until Ninetoes showed up this year with his incredibly catchy tune 'Finder'. Groovy, charismatic and original, it's a nice change on the dance scene which at time can be become a bit stale with a string of artists who sometimes inevitably all sound the same. Another perfect summer track, it's the sort of song that can get anybody moving and unashamedly clap along. Normally I'd feel embarrassed just writing that (even though I still do a bit) but this song manages to transcend such things, only asking you to feel free and a have a good time.
15/ Pedestrian - Hoyle Road
Another potential student of James Blake, Pedestrian's best effort this year 'Hoyle Road' is a beautiful, pensive and moody song, who gives it such a humanising voice through his haunting lyrics and vibraphone playing. A lament at lost love, it is incredibly powerful and defiant in its sadness yet paradoxically, the song also seems to reach a new life in its chorus, rejecting any notions of giving up and wilfully moving on. It's one of the most emotional house tracks I've ever encountered and whilst not only a great contemplative song, it's also pretty good to dance to.
14/ Disclosure - When A Fire Starts To Burn
I've spoken a lot about Disclosure in this list, from remixes to production credits, they've had quite a busy year. It's only fitting then, that through all their contributions, their own album is top of that list. 'When A Fire Starts To Burn' starts with a typically 90s-esque vocal sample, taken from the preachings of a Southern minister over a skeletal beat that slowly ascends into an awesome house track. Rolling bass lines, reverberating organs and an inherent groove, Disclosure takes the best features of old-school house and garage, breathing it in a fresh new life. A great live act as well, Disclosure definitely dominated the house scene this year in most people's eyes and even broke through the charts. As long as Disclosure maintain what makes them such a dynamic duo they'll go on to even greater things, just as long as they don't do a Calvin Harris I'm sure they'll be fine.
13/ James Blake - Retrograde
A more promising and confident leap from his debut album, James Blake is arguably at the height of his career. Winner of the prestigious Mercury Prize this year, Blake has gone from pioneering underdog to one of the most respected artists in the country, and rightly so. 'Retrograde' is a soulful and minimalist croon that brings out the best in his understated voice. It's a gradual progression, filled with incredible harmonies and over-dubbed synths that eventually reach a climatic end that leave you speechless.
12/ Breach - Jack
'Jack, let's Jack!'. I'm not sure what this means, but I've been saying it all year with such enthusiasm. Extremely addictive, this song has been present on many of my nights this year and no matter how many times I hear it, I still get the same excitement that I felt the first time I heard it. A constant crowd pleaser, it's awesome bass line, repetitive but always entertaining vocal sample and cocky beat make a perfect staple song for deep house, in a year that has seen it have a fantastic revival. Breach has written a plethora of incredible tracks this year which have all taken the best elements of house and is an artist who I can never wait for new releases.
If I've ever been punched in the face by a song, it'd have to be 'LRAD'. This gargantuan mammoth of a song is one of the most impressive Electro House I've ever heard. What's so great about it is that there's never a dull moment, constantly shifting between progressions and movements before unleashing two monstrous drops. Look back at all the Electro House that came out this year, and in hindsight, I'm pretty sure most of it wouldn't be around without Knife Party (especially Martin Garrix's 'Animals'). Quintessential moshpit music, if you do feel like getting punched, than go to one of their gigs and experience it yourself.
29/ Dusky - Nobody Else
Another one from the pioneering deep house duo, much like 'LRAD' was a catalyst in the electro house world, so was 'Nobody Else' for deep house. It starts off on a fairly tame measure yet Dusky's mastery of sound becomes apparent, throwing in glimpses and cuts of noises from all directions whilst retaining a persistent and alluring bass line to keep it all together. It's not the most complex of songs, yet this is irrelevant. This song showcases their incredible production and songwriting skills, where it seems easy to play, yet no as much to write. This song furthered their dominance in their field, and set the mark for what was a great year for them and for the genre.
28/ Fatboy Slim - Praise You (Maribou State Remix)
Maribou State are a duo to look out for in 2014. Described as a 'downtempo Disclosure', it's chill out music that doesn't come with a meditation guide. Hazy and ethereal, it conflates misty sonic atmospheres with bassy and off-cut drums to create something truly unique. It is also miles away from Fatboy Slim's original mix, which I think is why it gives the song such drive, especially compared to most of their 'Truths' EP. A companion for your comedown, this song will surely give you enough life to make it home and enjoy the journey on the way.
27/ Disclosure - F For You (T.E.E.D Remix)
My respect for T.E.E.D is always growing. From his first 'Prehistory' EPs to the marvellous debut album 'Trouble', Orlando Higginbottom manages to take any style that's trending and make it his own. 'F For You' is no exception. Whilst many would argue this has been the year for Disclosure, T.E.E.D has been quietly but surely leaving his mark on the musical map this year. A driving bass, chiming synths and a self-assuredness that dominates his tracks, it's one of those songs where the buildup could last forever and you would still be revelling in its afterglow. My personal favourite remix of Disclosure in a year where everyone has been banging on about Flume and Baauer's efforts.
26/ Wavves - Demon To Lean On
When we think of Pop-Punk nowadays, we think of the haunted remains of Blink 182, Sum 41 and Green Day, the latter itself unwilling to move on the afterlife. Whilst publications such as Kerrang would disagree with me, I'm not one for taking their word (sorry). Nevertheless, Wavves has always been a band that I've appreciated, especially if I've been pissed about something or just feeling self-deprecating. An ok new album, this song really outshone the rest of it and I really feel they've grown up a bit, but without losing that immature side that made them so appealing in the first place. They have much potential as a band , they just need to reign in what their best qualities and concentrate it on one excellent album.
25/ Bonobo - Cirrus
I feel as though the contemporary state of Bonobo is what Maribou State have been trying to reach this year. Yet of course, this cannot happen over night. Bonobo is part of a group of producers/artists who over the years have evolved beautifully as musicians and with each record, get better and better (Four Tet and Flying Lotus were the other examples by the way). The first release from his latest album, it is a song that is delicate yet powerful, soft yet edged, moody yet transcendent. All of these descriptives are befitting and that's just the genius of his work, he can combine such opposing effects and sounds to create very interpretable listenings to his music, that make it a sonic journey not worth missing.
24/ Earl Sweatshirt - Whoa (feat. Tyler, The Creator)
Unsurprisingly so, the presence of Tyler on this song is felt within the first few lines. Opening with that oh so recognisable alarm clock, he's quick to tell us Earl has moved on, and not to expect a purely emotional record. It shows a need within all of Odd Future that the past is in the past, that they're not going back to it and it's time move on, whether their fans like it or not. In my opinion, Earl is the best lyricist in the collective, with intricate wordplay and linguistic craftsmanship, he's coming out of his shell and expressing a more confident and assured voice in a generation of rappers who seem to getting better and better.
23/ Pond - O Dharma
After their incredible 2012 album 'Beard Wives, Denim', Pond over night became one of my favourite bands, especially as they are composed of a number of Tame Impala members which made it even better. Their 2013 record was definitely something I was looking forward to most of the year and when it was finally released, it failed to disappoint. I could have chosen a number of songs from that album, but the one that really stood out was 'O Dharma'. It starts off with a acoustic Syd Barrett vibe and I admit that at first I was tempted to skip through this section but luckily I didn't, and it pays off. What you get is a psychedelic atmospheric cluster-fuck of sounds which seems to take your mind to another dimension. Think of Moby but on shrooms or a continuation of Beatles were trying to do with 'Tomorrow Never Knows'. It is a surprising turn in the song which shows how flexible and talented this band is, and perhaps more importantly, shows how they are not just a side-project to Tame Impala.
22/ Deerhunter - The Missing
The one song of the album written by Lockett Pundt, amongst the dirty and brash contributions of controversial leader Bradford Cox, feels as though its plucked directly from his Lotus Plaza project. Ringing and quietly resounding (if that makes sense), it's pure indie at its best and a nice change of tempo and mood in the album. This has always been my favourite side to Deerhunter who often seem solely represented by Cox, yet it shows that whilst Pundt's influence may be limited, it is nevertheless present, and once shown, it leads to stunning music.
21/ Rustie - Slasherr
Stabbing synths, a hyperactive beat and an intense colourfulness, from title alone 'Slasherr' does everything it sets out to. Slashing pre-conceptions of what defines a drop, throwing wave after wave of crystallised sound. It's a song that would accompany any sugar rush where it's playfulness seems to be unfitting for any high. What is so appealing about it that it's a song that could be played at both EDM and trap parties, a rare feat for a producer, especially in such conflicting groups.
20/ Pitto - You
There's always that one song that marks the beginning of summer. The one you can envision being played at the poolside when it's (sort of) socially acceptable to be getting drunk at 3 in the afternoon. This year it was 'You' by Pitto. Glimmering chords, charismatic vocal samples and a blue balling intro, it seems to represent that moment everyone is waiting for, until out of nowhere summer's here. It's a poppier side of house that many fail to achieve without being platitudinous about it yet moreover, it's a side of pop that I'd like to hear more often.
19/ Lxury - J.A.W.S.
Many similarities can be drawn between 'J.A.W.S' and the aforementioned song, yet there's a reason why it just beats it in this list. To put it simply, it's the coolest house (in its purest definition) I've heard this year. Despite it being a song you know Eton Messy would have a field day with, you can understand it. Bouncy, joyful and bordering on the euphoric, it's a song that brings a smile to my face every time I hear it. It's got a certain tribalism to it at the start which adds a certain mystique to the song and makes you rearing to hear the rest. Produced by Disclosure, you can definitely hear their influence in the record where it seems as though the duo have had a hand in some of the best releases the year, both directly and indirectly.
18/ The Child of Lov - Give Me
Funk is a lot like marmite (excuse me for the poor analogy), you either love it or hate it. I've always had a troubling relationship with it, yet Child of Lov's take on the genre has been one of the most innovative and interesting ones in years. Ballsy, effeminately badass and unusual, he's a singer-songwriter who as created a sound that is truly his own. Sadly, he passed away recently and you could feel as though this record was just the beginning of bigger and better things for him. Nonetheless, he lives on through his singular album and it is a great legacy to leave behind for the world.
17/ Chester Watson - Phantom
There were many songs you could chosen from Chester Watson debut mixtape 'Phantom' that demonstrate his incredible talent, but it's his eponymous single that says it all. He's a rapper similar to Mos Def and a producer in the vein of Flying Lotus, mixing freaky collaborations with MF Doom whilst retaining the soul of 90s hip-hop. An incredibly smooth flow with a sort of wiser than he should outlook reminiscent of Earl Sweatshirt. He is continuously releasing new music on his soundcloud page and most of it is free, and all as good as the last one. A new face in the rap world, who is surely to get even bigger, watch this space, as Chester Watson is a definite game changer.
16/ Ninetoes - Finder
I use to think the only artist who had a good understanding of steel drums was Jamie XX, until Ninetoes showed up this year with his incredibly catchy tune 'Finder'. Groovy, charismatic and original, it's a nice change on the dance scene which at time can be become a bit stale with a string of artists who sometimes inevitably all sound the same. Another perfect summer track, it's the sort of song that can get anybody moving and unashamedly clap along. Normally I'd feel embarrassed just writing that (even though I still do a bit) but this song manages to transcend such things, only asking you to feel free and a have a good time.
15/ Pedestrian - Hoyle Road
Another potential student of James Blake, Pedestrian's best effort this year 'Hoyle Road' is a beautiful, pensive and moody song, who gives it such a humanising voice through his haunting lyrics and vibraphone playing. A lament at lost love, it is incredibly powerful and defiant in its sadness yet paradoxically, the song also seems to reach a new life in its chorus, rejecting any notions of giving up and wilfully moving on. It's one of the most emotional house tracks I've ever encountered and whilst not only a great contemplative song, it's also pretty good to dance to.
14/ Disclosure - When A Fire Starts To Burn
I've spoken a lot about Disclosure in this list, from remixes to production credits, they've had quite a busy year. It's only fitting then, that through all their contributions, their own album is top of that list. 'When A Fire Starts To Burn' starts with a typically 90s-esque vocal sample, taken from the preachings of a Southern minister over a skeletal beat that slowly ascends into an awesome house track. Rolling bass lines, reverberating organs and an inherent groove, Disclosure takes the best features of old-school house and garage, breathing it in a fresh new life. A great live act as well, Disclosure definitely dominated the house scene this year in most people's eyes and even broke through the charts. As long as Disclosure maintain what makes them such a dynamic duo they'll go on to even greater things, just as long as they don't do a Calvin Harris I'm sure they'll be fine.
13/ James Blake - Retrograde
A more promising and confident leap from his debut album, James Blake is arguably at the height of his career. Winner of the prestigious Mercury Prize this year, Blake has gone from pioneering underdog to one of the most respected artists in the country, and rightly so. 'Retrograde' is a soulful and minimalist croon that brings out the best in his understated voice. It's a gradual progression, filled with incredible harmonies and over-dubbed synths that eventually reach a climatic end that leave you speechless.
12/ Breach - Jack
'Jack, let's Jack!'. I'm not sure what this means, but I've been saying it all year with such enthusiasm. Extremely addictive, this song has been present on many of my nights this year and no matter how many times I hear it, I still get the same excitement that I felt the first time I heard it. A constant crowd pleaser, it's awesome bass line, repetitive but always entertaining vocal sample and cocky beat make a perfect staple song for deep house, in a year that has seen it have a fantastic revival. Breach has written a plethora of incredible tracks this year which have all taken the best elements of house and is an artist who I can never wait for new releases.
Friday, 20 December 2013
Best Songs of 2013: 50-31
It's been a while, but I'm restarting my blog with a sole focus on music. To start, I've compiled a list of my favourite 50 songs of 2013, counting down from 50 to number 31:
50/ Gold Panda - Trust
A change of style for the eclectic English producer, the title track from his underrated 'Trust-EP' demonstrates his virtuosity, suggesting a similar sonic transition Bonobo made a few years ago which would be a promising career move for Gold Panda.
49/ Run The Jewels - Get It
An interesting collaboration between EL-P and Killer Mike, this song is an aggressive in your face march towards the masses, played to a thumping and arrogant beat, reminiscent of TNGHT, it could well be the soundtrack to a Fight Club-esque struggle against the machine.
48/ Local Natives - Bowery
Essentially, this song shows what the band do best. A calm and careful song which progresses into a powerful and passionate conclusion, it revelas their finely developed understanding between
dichotomous sounds, which constantly changes yet never loses its power.
47/ Parquet Courts - Stoned and Starving
A simple yet catchy song, think of Sonic Youth just, well stoned really. As its title indicates it follows the troublesome dilemma of being high and hungry in New York, a universal message that many of its fans can relate to.
46/ Dusky - Words Later On
One of the most out there deep house duos at the moment, these guys have a great year in the clubbing scene, with constantly changing sounds and styles, 'Words Later On' ends their year on a great high. Whilst it is fairly minimal, their productions skills are ever present here, demonstrating that this genre is also about musical ability, and not just creating a good beat.
45/ Vampire Weekend - Step
Constantly evolving, band VP's third effort is a stripped down yet wholesome album, revealing their knack at combing a variety of genres to create something truly unique, epitomised here with 'Step'.
44/ Celcius - Incoming
A great find by SubSoul, this song takes its time, but when that triplet bass kicks in, you know you're going to have a good time for the rest of it. Bouncy, cocky and a change from your run of the mill house tracks, its incredible riff catches any listener by presence and surely brings a smile to their face.
43/ Foals - Late Night (Solomun Remix)
Took me a while to fully appreciate this remix's value, it gradually won me over with a few listens. A complete change of direction from the original, Solomun here creates a truly mesmerising version, whose filtered spacey synths will echo in your mind for a long time after. A brilliant producer, who without the lyrics you'd think is one of his originals, this is definitely one of the most imaginative interpretations of a song in quite a while.
42/ Earl Sweatshirt - Molasses
One of the most stand-out tracks from his latest album, it definitely feels as though Earl had been watching Django Unchained for a while. A badass cowboy beat if that makes sense, it's another example of his great use of language and the multiplicity of meanings one can create out of one word. If only RZA had a bigger involvement in the song, would be higher on the list.
41/ Andrea - Your Morning
One of the most innovative producers out there, Paris based artist Andrea continues to be an important figure of the future-garage genre. Mellifluous, intricate, and intimate are just some of the terms one can use to describe him. Horribly understated, this artist was in my Best New Artist section last year, and has shown in this year alone, how much he has matured as an artist.
40/ Vampire Weekend - Hanna Hunt
Another one from the New York outfit, it's not one of the most musically complex songs they've written yet its arguably their most touching. A slow but gentle buildup captivates the listener throughout the song, eventually arriving to a very emotional ending. A feel-good song without the cliches.
39/ Sampha - Without
A rising star who has already collaborated with the likes of Drake, Sampha follows in James Blake's footsteps in amalgamating between soul and electronica, simultaneously bringing fresh life into both genres. A cluster of erratic yet seemingly controlled noises permeate throughout the song, this is another hopeful example of a promising singer-songwriter generation that has been lacking in recent years.
38/ Pascäal - Drowning In You
Ok, this song is on Majestic Casual so it looks like I didn't put much effort into actually finding this song, but without trying to sound too much like a hipster it's not how I first found it. But then again, there is a niche in the market that unfortunately, can only be described as 'Majestic Casual' music. I realize I haven't said anything about the song itself, but do give a listen, a catchy one which hopefully foreshadows the future of pop.
37/ Dream Koala - Odyssey
It's been coming for a while. You could hear much potential in his first Blur - EP yet with the release of 'Odyssey', Dream Koala has written one of the most enthralling and adventuring sonic experiences in years. The parallels with 'Spanish Sahara' are uncanny, and you can view as an ode to Foals's masterpiece, yet this shouldn't undermine DK's beautiful song, fittingly titled as an 'odyssey'.
36/ Nils Frahm - Spaces
The link I've posted it to is a live version he did at KEXP, and it is one of the most captivating live moments of this year. Similar to the great work of the almost unknown Jurgen Muller, its minimalist beauty combined with his meticulous playing, creates a sonic arena of almost pure perfection which will surely give you shudders throughout.
35/ M.I.A. - Double Bubble Trouble
M.I.A has come back with a hard-hitting, in-your-face and haughty album, that doesn't seem to care what you think about it. Whilst most artists who do this are generally perceived as assholes (Kanye West anyone?), M.I.A. manages to pull it off, ironically making her fans adore her even more. The drop unleashes an incredibly badass beat, that is only beaten by the second drop's, let's say, moment of madness, where you're not quite sure what's going on, but all you know is that it sounds awesome.
34/ Deerhunter - Monomania
I have to say, I've been disappointed with the state of indie music this year, with a series of lacklustre new releases from old and new alike. Deerhunter however, prove once again why they are such a highly regarded band. Gritty, dirty and a bit all over the place, Bradford Cox is one of the last remaining rockstars out there, and Deerhunter are a band who are still committed to a sound that got them adoration in the first place, whilst somehow still sounding fresh.
33/ Action Bronson - Strictly 4 My Jeeps
One of the most recognisable faces in the hip/hop world, 'Strictly' feels like a massive throwback to the work of Beastie Boys, in its lyrics, production and even music video, which makes it such a standout track in today's rap world. It's good to know that every few rappers still has a place in their heart for 90's hip/hop, especially in a world dominated by the likes of Danny Brown and A$ap Rocky.
32/ Mark Knight - Your Love
Now, I'm not such a Kylie Minogue fan, but evidently Mark Knight is. Fortunately for us he is, because he's released one of the best remixes of the year. Another great moment for contemporary deep house, it's a guaranteed dance-floor filler that will undoubtedly get you moving. Juxtaposed between moments of pulsating bass lines and euphoric chords progressions, Mark Knight seems to have understood everything about the clubbing scene in one song.
31/ Jamie XX - Sleep Sound
I'm always excited whenever Jamie XX releases new music, especially when he gives it away for free. This is his most promising attempt yet, divided into three distinct movements that scream originality making it impossible to be described as dull. Whilst I feel the xx have stagnated since their first album, Jamie continues to push the boundaries of what is expected from him and repeatedly produces new and invigorating music. With a string of new releases to come, Jamie XX will surely be one of the most sought-after artists in 2014.
50/ Gold Panda - Trust
A change of style for the eclectic English producer, the title track from his underrated 'Trust-EP' demonstrates his virtuosity, suggesting a similar sonic transition Bonobo made a few years ago which would be a promising career move for Gold Panda.
49/ Run The Jewels - Get It
An interesting collaboration between EL-P and Killer Mike, this song is an aggressive in your face march towards the masses, played to a thumping and arrogant beat, reminiscent of TNGHT, it could well be the soundtrack to a Fight Club-esque struggle against the machine.
48/ Local Natives - Bowery
Essentially, this song shows what the band do best. A calm and careful song which progresses into a powerful and passionate conclusion, it revelas their finely developed understanding between
dichotomous sounds, which constantly changes yet never loses its power.
47/ Parquet Courts - Stoned and Starving
A simple yet catchy song, think of Sonic Youth just, well stoned really. As its title indicates it follows the troublesome dilemma of being high and hungry in New York, a universal message that many of its fans can relate to.
46/ Dusky - Words Later On
One of the most out there deep house duos at the moment, these guys have a great year in the clubbing scene, with constantly changing sounds and styles, 'Words Later On' ends their year on a great high. Whilst it is fairly minimal, their productions skills are ever present here, demonstrating that this genre is also about musical ability, and not just creating a good beat.
45/ Vampire Weekend - Step
Constantly evolving, band VP's third effort is a stripped down yet wholesome album, revealing their knack at combing a variety of genres to create something truly unique, epitomised here with 'Step'.
44/ Celcius - Incoming
A great find by SubSoul, this song takes its time, but when that triplet bass kicks in, you know you're going to have a good time for the rest of it. Bouncy, cocky and a change from your run of the mill house tracks, its incredible riff catches any listener by presence and surely brings a smile to their face.
43/ Foals - Late Night (Solomun Remix)
Took me a while to fully appreciate this remix's value, it gradually won me over with a few listens. A complete change of direction from the original, Solomun here creates a truly mesmerising version, whose filtered spacey synths will echo in your mind for a long time after. A brilliant producer, who without the lyrics you'd think is one of his originals, this is definitely one of the most imaginative interpretations of a song in quite a while.
42/ Earl Sweatshirt - Molasses
One of the most stand-out tracks from his latest album, it definitely feels as though Earl had been watching Django Unchained for a while. A badass cowboy beat if that makes sense, it's another example of his great use of language and the multiplicity of meanings one can create out of one word. If only RZA had a bigger involvement in the song, would be higher on the list.
41/ Andrea - Your Morning
One of the most innovative producers out there, Paris based artist Andrea continues to be an important figure of the future-garage genre. Mellifluous, intricate, and intimate are just some of the terms one can use to describe him. Horribly understated, this artist was in my Best New Artist section last year, and has shown in this year alone, how much he has matured as an artist.
40/ Vampire Weekend - Hanna Hunt
Another one from the New York outfit, it's not one of the most musically complex songs they've written yet its arguably their most touching. A slow but gentle buildup captivates the listener throughout the song, eventually arriving to a very emotional ending. A feel-good song without the cliches.
39/ Sampha - Without
A rising star who has already collaborated with the likes of Drake, Sampha follows in James Blake's footsteps in amalgamating between soul and electronica, simultaneously bringing fresh life into both genres. A cluster of erratic yet seemingly controlled noises permeate throughout the song, this is another hopeful example of a promising singer-songwriter generation that has been lacking in recent years.
38/ Pascäal - Drowning In You
Ok, this song is on Majestic Casual so it looks like I didn't put much effort into actually finding this song, but without trying to sound too much like a hipster it's not how I first found it. But then again, there is a niche in the market that unfortunately, can only be described as 'Majestic Casual' music. I realize I haven't said anything about the song itself, but do give a listen, a catchy one which hopefully foreshadows the future of pop.
37/ Dream Koala - Odyssey
It's been coming for a while. You could hear much potential in his first Blur - EP yet with the release of 'Odyssey', Dream Koala has written one of the most enthralling and adventuring sonic experiences in years. The parallels with 'Spanish Sahara' are uncanny, and you can view as an ode to Foals's masterpiece, yet this shouldn't undermine DK's beautiful song, fittingly titled as an 'odyssey'.
36/ Nils Frahm - Spaces
The link I've posted it to is a live version he did at KEXP, and it is one of the most captivating live moments of this year. Similar to the great work of the almost unknown Jurgen Muller, its minimalist beauty combined with his meticulous playing, creates a sonic arena of almost pure perfection which will surely give you shudders throughout.
35/ M.I.A. - Double Bubble Trouble
M.I.A has come back with a hard-hitting, in-your-face and haughty album, that doesn't seem to care what you think about it. Whilst most artists who do this are generally perceived as assholes (Kanye West anyone?), M.I.A. manages to pull it off, ironically making her fans adore her even more. The drop unleashes an incredibly badass beat, that is only beaten by the second drop's, let's say, moment of madness, where you're not quite sure what's going on, but all you know is that it sounds awesome.
34/ Deerhunter - Monomania
I have to say, I've been disappointed with the state of indie music this year, with a series of lacklustre new releases from old and new alike. Deerhunter however, prove once again why they are such a highly regarded band. Gritty, dirty and a bit all over the place, Bradford Cox is one of the last remaining rockstars out there, and Deerhunter are a band who are still committed to a sound that got them adoration in the first place, whilst somehow still sounding fresh.
33/ Action Bronson - Strictly 4 My Jeeps
One of the most recognisable faces in the hip/hop world, 'Strictly' feels like a massive throwback to the work of Beastie Boys, in its lyrics, production and even music video, which makes it such a standout track in today's rap world. It's good to know that every few rappers still has a place in their heart for 90's hip/hop, especially in a world dominated by the likes of Danny Brown and A$ap Rocky.
32/ Mark Knight - Your Love
Now, I'm not such a Kylie Minogue fan, but evidently Mark Knight is. Fortunately for us he is, because he's released one of the best remixes of the year. Another great moment for contemporary deep house, it's a guaranteed dance-floor filler that will undoubtedly get you moving. Juxtaposed between moments of pulsating bass lines and euphoric chords progressions, Mark Knight seems to have understood everything about the clubbing scene in one song.
31/ Jamie XX - Sleep Sound
I'm always excited whenever Jamie XX releases new music, especially when he gives it away for free. This is his most promising attempt yet, divided into three distinct movements that scream originality making it impossible to be described as dull. Whilst I feel the xx have stagnated since their first album, Jamie continues to push the boundaries of what is expected from him and repeatedly produces new and invigorating music. With a string of new releases to come, Jamie XX will surely be one of the most sought-after artists in 2014.
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